Saturday 9 March 2019

TV Column: LEAVING NEVERLAND: MICHAEL JACKSON AND ME + DERRY GIRLS


This article was originally published in The Courier on 9th March 2019.


NEXT WEEK’S TV

CHEAT
Monday to Thursday, STV, 9pm


Deep within the bowels of ITV Towers is an airless chamber where contracted writers are forced to churn out pot-boiling thrillers starring familiar faces. Cheat is the latest product of this heinous abuse of human rights. Katherine Kelly (Coronation Street) plays an upmarket university lecturer whose life comes a cropper when a ruthlessly ambitious student (Molly Windsor from Three Girls, who deserves better) mounts a weird campaign against her. Cards on the table, folks, we dedicated members of the press were only given preview access to episode one – Cheat is generously stripped throughout the week - but I think it’s fair to predict that this Richard & Judy Book Club folderol won’t improve after such a risible opening chapter.
                                                                                                     
24 HOURS IN POLICE CUSTODY
Monday, Channel 4, 9pm
The acceptable face of cop-trailing crime documentaries, this sombre hardy perennial works because it swaps the genre’s usual tabloid sensationalism for a more socially responsible and detailed approach. The latest series begins with an extended edition in which police officers search for a dangerous predator who sexually assaulted a woman at knife-point during broad daylight. The rapist was unknown to his victim – statistically, a fairly rare occurrence – and his DNA wasn’t stored on the police’s extensive nationwide database of known sex offenders. As always, the programme follows the investigation from its initial stages to the eventual, claustrophobic interrogation of a chief suspect. It provides some valuable, sensitive insight into how severe cases such as this are handled.

AUSTRALIA: EARTH’S MAGICAL KINGDOM
Friday, BBC Two, 9pm
It may boast all the panoramic and granular pleasures you’ve come to expect from world-beating natural history documentaries, but by far the most satisfying aspect of this new series is its unlikely yet entirely apt choice of narrator. The great Barry Humphries is a much loved and highly respected Australian superstar, but he doesn’t usually lend his dulcet tones to programmes of this nature. It’s rather wonderful listening to him enthuse about colourful species of wildlife about which little is widely known. He begins by revealing how animals have learned to adapt across Australia’s dramatically disparate weather extremes. Star turns include a platypus cousin who can lower its body temperature to endure icy winters, and some remarkably intelligent cockatoos.

SHOWBANDS: HOW IRELAND LEARNT TO PARTY
Friday, BBC Four, 9pm


Ardal O’Hanlon is your warm, witty guide to the history of a uniquely Irish showbiz phenomenon. From the 1950s to the end of the 1970s, hundreds of showbands – “versatile, hardworking mobile jukeboxes in shiny suits” – freely crisscrossed the north and south of Ireland. Many of them became household names. The showbands saw themselves purely as entertainers, but they transformed the lives of young people living in rural backwaters, triggered a kind of social revolution in the dancehalls and broke down religious and political barriers. O’Hanlon finds out what their success said about Ireland during a tumultuous era of cultural isolationism and bitter sectarian violence. As the tragic fate of the Miami Showband illustrates, they weren’t always immune to their surroundings.

LAST WEEK’S TV

JERK
Monday 4th, BBC One
Tim Renkow is the star and co-creator of this charmless comedy in which he plays an American slacker with cerebral palsy who happily exploits his condition to secure a Visa. The sole joke is that Tim is a chaos-causing prankster who gets away with being endlessly rude to awkwardly well-meaning able-bodied idiots. No one wants to offend him. It’s supposed to be a challenging satirical comment on ridiculous social attitudes surrounding disability, but it’s neither funny nor clever enough to pull that off. Renkow’s character is a smug irritant. That wouldn’t matter if he was an entertaining smug irritant, but Jerk is utterly tiresome and routine.

DERRY GIRLS
Tuesday 5th, Channel 4


This delightful sitcom about an awkward gang of Northern Irish teenagers growing up in the Troubled 1990s was a big sleeper hit when it debuted last year. Comedy shows can sometimes lose focus and start playing to the gallery when unexpectedly showered with praise, but there was no sign of that curse as series two began. By sending her girls (and boy) on a ‘Friends Across the Barricade’ weekend aimed at bringing Catholic and Protestant kids together, writer Lisa McGee managed to mock the lunacy of religious prejudice without a hint of self-righteousness. It was another gag-packed, acutely-observed episode, beautifully played as always by a faultless cast. 

LEAVING NEVERLAND: MICHAEL JACKSON AND ME
Wednesday 6th and Thursday 7th, Channel 4


Jackson evaded justice during his lifetime, but this gut-punching documentary held him to unequivocal account. It focused on Wade Robson and James Safechuck, both of whom allege they were sexually abused by their childhood idol over a period of several years. Their relentlessly graphic and entirely credible testimonies were juxtaposed with recollections from their mothers attempting to explain how they were hoodwinked. As their stories unfolded like a horrifying family scrapbook, a consistent portrait emerged of Jackson as a devious predatory paedophile who exploited his status and innocent man-child image to groom children and their parents. He destroyed lives. Jackson’s legacy won’t recover from this damning expose. It can’t.

TRAVELLING BLIND
Thursday 7th, BBC Two
Amar Latif has been blind since he was eighteen, but that hasn’t stopped him from travelling the world in search of adventure. All he needs is a sighted person to act as a guide. His assistant during this bright and breezy Turkey travelogue was comedian Sara Pascoe, lest anyone avoid an educational programme informed by disability due to an unacceptable lack of celebrity involvement. To be fair, it did achieve Latif’s goal of illustrating that blindness isn’t a barrier to enjoying a rich and fulfilling life. A decent introduction to the BBC’s new Crossing Divides season, which explores how people can be brought together in this fragmented world of ours.

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