Saturday, 18 May 2019

TV Column: HATTON GARDEN + THATCHER: A VERY BRITISH REVOLUTON


This article was originally published in The Courier on 18th May 2019.


NEXT WEEK’S TV

HATTON GARDEN
Monday to Thursday, STV, 9pm


Despite taking place just four years ago, the notorious burglary of the Hatton Garden Safe Deposit Company has inspired three films. The most recent, King of Thieves starring Michael Caine and Ray Winstone, was released only last year. You would, therefore, be forgiven for presuming that this four-part dramatisation of the biggest burglary in English legal history is surplus to requirements. Fortunately, it isn’t. Co-written by esteemed factual dramatist Jeff Pope (Philomena; Cilla; Stan & Ollie), it’s a typically well-researched affair boasting more depth and detail than its predecessors. A strong cast including Timothy Spall, Kenneth Cranham and David Hayman flesh out Pope’s compelling account of how an unlikely gang of elderly crooks (almost) got away with it.

THATCHER: A VERY BRITISH REVOLUTION
Monday, BBC Two, 9pm

29 years after her turbulent reign was vanquished, Margaret Thatcher is still one of the most divisive figures in British politics. You don’t have to be a fan to enjoy this exhaustive five-part documentary charting her rise and fall, it’s fascinating. It begins, aptly enough, with her early 1970s emergence as a prominent political figure and milk snatcher. Only the second woman to hold a position in a Conservative cabinet, Thatcher was a tirelessly driven workaholic. She was also, in the words of Ken Clarke, “a bizarre character, one of the most unlikely human beings I ever met.” He’s joined by other notables such as Shirley Williams and Norman Tebbit. It also boasts a wealth of rare archive footage.

ALASTAIR CAMPBELL: DEPRESSION AND ME
Tuesday, BBC Two, 9pm


Much like Thatcher, infamous Labour spin doctor Alastair Campbell could hardly be described as a sympathetic political figure. However, to his credit, he’s had a long history of talking publically about his mental health issues: Campbell has struggled with depression for most of his life. In this candid documentary, part of a short series of programmes tied in with Mental Health Awareness Week, he explains and explores the various ways in which he’s learned how to live with his condition, in the hope of getting a better understanding of it. He talks to psychiatrists, doctors and members of his own family. The nuanced and sometimes drily funny results are the most valuable thing he’s ever contributed to public life.

VICTORIAN SENSATIONS
Wednesday, BBC Four, 9pm

The rapid change of Britain in the 1890s made Dylan’s decision to go electric in 1965 look like a big fuss about nothing. In this lively new series, mathematician Hannah Fry, psychotherapist Philippa Perry and – not to be outdone - actor Paul McGann traverse a decade in which the electrified modern world sparked into life. Our host in episode one is the engaging Fry, who provides a wry account of the dawn of this brave new electric age. She describes it as “an unregulated free-for-all where enthusiasm still exceeds understanding.” Britain was experiencing progress on an unprecedented scale, hence the sheer number of weird and wonderful developments it went through. You can’t beat a bit of eccentric Victoriana.

Monday, 13 May 2019

TV COLUMN: Years and Years + The Virtues + Mum


This article was originally published in The Courier on 11th May 2019.


NEXT WEEK’S TV

YEARS AND YEARS
Tuesday, BBC One, 9pm


TV titan Russell T. Davies is the brains behind this ambitious new drama following an extended Manchester family over the space of 15 years. It begins in the present day before scrolling forward to 2024. Trump has won a second term, the US and China are at loggerheads, Britain has finally left the EU and a growing influx of Ukrainian refugees are in desperate need of housing. Meanwhile, a ‘straight-talking’ politician (Emma Thompson) continues her terrifying rise to the top. RTD’s pessimistic message is encapsulated by Russell Tovey’s character: “The human race is getting more stupid right in front of our eyes.” That stupidity, he warns, is leading us towards catastrophe. Urgent and unsettling, this is not to be missed.

THE VIRTUES
Wednesday, Channel 4, 9pm


Fresh from having his throat slit in Line of Duty, Stephen Graham returns to our screens in the company of writer/director Shane Meadows, who gave him his big break in This is England. It’s a difficult show to preview as its tense, queasy intrigue derives from a gradual drip-feed of information about Graham’s character, Joseph. All I’ll say is this: it begins with Joseph saying goodbye to his son, who’s about to begin life anew in Australia with his mum and stepdad. Joseph then self-destructs before deciding to confront his tragic past. In typical Meadows style it’s a humane, unflinching piece of social-realism, and Graham’s portrayal of a broken man is incredible.

MUM
Wednesday, BBC Two, 10pm


The end, alas, is nigh for this rightfully beloved comedy drama. The third and final series takes the bold step of leaving Cathy’s suburban house for the first time. The new setting is a swanky holiday home rented by her brother and his tragically snobbish partner. Unlike before, this last hurrah takes place over the space of a week. Apart from that, it’s quietly desperate business as usual as lovely, patience of a saint Cathy (Lesley Manville) and the world’s nicest man, Michael (Peter Mullen), tentatively begin their romantic relationship. Unfortunately, Cathy can’t admit this to her son, who regards Michael as an unfit replacement for his late father. As the theme song says, we’ll miss it when it’s gone.

DAVID HAREWOOD: PSYCHOSIS AND ME
Thursday, BBC Two, 9pm


30 years ago, actor David Harewood had a mental breakdown and ended up being sectioned. He now has an extracurricular career as a mental health spokesperson. In this candid documentary, he reflects upon that period of his life in an attempt to work out what happened. By talking openly about his ordeal, during which he experienced grandiose delusions, auditory hallucinations and blackouts, Harewood succeeds in challenging the stigma and lack of understanding which still surrounds this subject. He meets young people dealing with psychosis and talks to an expert who informs him that the condition doesn’t suddenly emerge from nowhere, it springs from a combination of stress, anxiety, trauma and vulnerability. It’s a fascinating and valuable document.


Saturday, 4 May 2019

TV Column: THE ALL NEW MONTY + 24 HOURS IN A&E + GHOSTS

This article was originally published in The Courier on 4th May 2019.



NEXT WEEK’S TV


THE ALL NEW MONTY
Monday and Tuesday, STV, 9pm

It’s time once again to raise awareness of the importance of health checks to prevent prostate, testicular and breast cancer, as another group of celebrities whip out their bits under the expert gaze of dance coach Ashley Banjo. The responsible fun begins on Monday with Who Bares Wins, in which the likes of Joe Pasquale and snooker legend Willie Thorne, who was diagnosed with prostate cancer in 2015, get to grips with a complex strip routine to be performed in front of a packed theatre. In Ladies’ Night, it’s time for Martina Navratilova and various soap and reality stars to do the same. Most of the participants have personal reasons for getting involved with the promotion of this vital cause.

24 HOURS IN A&E
Tuesday, Channel 4, 9pm


This impeccable series is an admirable celebration of the NHS. It’s also a guaranteed anxiety inducer. If we’ve learned anything from watching years of what essentially boils down to a relentless hokey cokey of terribly upsetting drama, it’s that accidents and sudden failures of health occur every day. You could be the next unwitting victim. Fortunately, dedicated medical professionals will be on hand to rescue you from the brink. If you’re lucky. The latest series begins with a moving meditation on elderly people trying to come to terms with the possibility of losing their partners. Meanwhile, the marriage of Harry and Meghan unfolds in the background. Humane and tacitly political, it towers above every other show in this genre.

THE SINGER STORY: MADE IN CLYDEBANK
Wednesday, BBC One, 9pm


In the late 19th century, a vast modern factory transformed a village on the Clyde into an industrial powerhouse. Its finely crafted product, the Singer sewing machine, went one giant step further: it changed the world. As the years roll by, the historical importance of Clydebank is in danger of being forgotten. This fascinating documentary should restore its reputation. There was a time when one in five households in the world had a Singer sewing machine, most of them made in Clydebank. Via vivid contributions from former employees, a portrait emerges of a town characterised by civic pride and humour. The site where the factory once stood is now a bland business park. Progress ain’t what it used to be.

WHEN I GROW UP
Thursday, Channel 4, 8pm


Spontaneously inspired by recent social mobility research, three generous businesses have invited some seven-year-olds from all walks of life to briefly join their ranks. Fortunately, a television crew was on hand to capture the results. Will giving them jobs they’ve never dreamed of change their ambitions? This week they don customised uniforms to manage an artisan chocolate business. I don’t doubt for a single whiff of a second that the producers had the very best of intentions – they’re not cruelly inviting us to sneer at a sadly precocious rich kid who fences and plays golf, of course they aren’t - but it comes across as an unnerving fusion of The Apprentice and Channel 4’s notorious ‘80s misfire, Minipops.

LAST WEEK’S TV

GHOSTS
Monday 29th, BBC One

This supernatural sitcom from the Horrible Histories team continues to plough a fairly amusing yet inessential furrow. It’s a likeable show populated by excellent comic actors, but the characters and storyline aren’t exactly riveting. We’re three episodes in, and I don’t really care about any of these people, either undead or alive. It gets by on a thin cushion of happy-to-please charm.

PLANET CHILD
Wednesday 1st, STV


What can protective British parents learn from examples set by foreign cultures? In episode one of this revealing new series, twin doctors Chris and Xan van Tulleken attempted to find out by conducting carefully controlled child development experiments. We met Japanese and African kids with far more independence than their cossetted UK counterparts, who gradually managed to navigate central London while unaccompanied by mum and dad.

EASYJET: INSIDE THE COCKPIT
Thursday 2nd, STV

Whimsically narrated by undiscriminating workhorse Stephen Fry, this series provides fly on the fuel gauge access to pilots from Britain’s biggest airline. They were, of course, depicted as cheerful, unflappable professionals tirelessly serving the needs of their customers. I daresay that’s true, but it was like watching a high-end promotional video. Still, nice scenery, and when was the last time you saw Inverness Airport on television?

Saturday, 27 April 2019

TV Column: OUR DEMENTIA CHOIR WITH VICKY McCLURE + LINE OF DUTY


This article was originally published in The Courier on 27th April 2019.




NEXT WEEK’S TV


OUR DEMENTIA CHOIR WITH VICKY McCLURE
Thursday, BBC One, 8pm
People with dementia often recall the melodies and lyrics of their favourite songs, which can be a calming influence leading to significant moments of clarity. In this moving series, the Line of Duty star teams up with leading experts to test our emotional and physical responses to music. They assemble a 20-strong choir comprised of people living with dementia, following them over three months as they rehearse for a live performance. Why McClure? Well, as we know, television law decrees that programmes of this nature must be fronted by a famous face, but she does have first-hand family experience of the illness. It’s a valuable experiment aimed at proving that life doesn’t end with a dementia diagnosis.

BANGED UP: TEENS BEHIND BARS
Monday, Channel 4, 9pm


In this new series, eight wayward British teenagers are sent to one of America’s toughest jails for seven days as part of a radical intervention programme. The basic goal is to put the fear of God into them to ensure that they never end up in prison for real. They find themselves rubbing shoulders with hardened criminals and tough guards, including the star of the show, Lieutenant Robbie Stokes, an army veteran and barking disciplinarian straight out of a sweaty US chain gang drama. If you’re anything like me, you’ll probably laugh when he yells “What in tarnation are you crying about?!” at some poor kid. Naturally, he’s more subdued during his interview segments. It’s all part of the game.

BAKE OFF: THE PROFESSIONALS
Tuesday, Channel 4, 8pm
Twelve new teams of professional patisserie chefs pick up their spatulas and hope for the best as this popular series returns. You know the score: over the first two days, the first six teams face a series of challenges, after which they’ll be ranked. Whoever is in last place will be asked to leave the competition. It really is as simple as that. During the opening heat they’re tasked with reinventing Linzer tortes, the Bakewell tart and the red velvet cake, a dessert classic, in under five hours. As usual, co-hosts Liam Charles and Tom Allen are joined by exuberant judges Cherish Finden and Benoit Blin. “Wow me, excite me and blow my mind away!” exclaims Finden. No pressure.

FORENSICS: THE REAL CSI
Wednesday, BBC Two, 9pm
By my reckoning, ‘real CSI’ documentaries probably outnumber the fictional CSI shows they set out to debunk. We all know these crimes aren’t solved by genius maverick cops, hence why we presumably find some comfort in programmes such as this in which diligent, unglamorous experts go about their duties with the utmost seriousness. The actor David Caruso isn’t going to help you in your direst hour of need, but these people might. In Newcastle, a single shot is fired through a window in the dead of night. Neither the injured woman nor her boyfriend who made the 999 call saw anything, so it’s up to the forensics team to piece the incident together. Please, don’t have nightmares.

LAST WEEK’S TV

THE IMPORTANCE OF BEING OSCAR
Saturday 20th, BBC Two


Spread over 90 generous minutes, this revealing tribute to the genius of Oscar Wilde featured presentations of key scenes from immortally witty and profound works such as The Importance of Being Earnest and The Picture of Dorian Gray, plus learned contributions from the likes of Wilde’s grandson, Merlin Holland, and – inevitably - Stephen Fry, who examined the myriad ways in which Wilde’s life influenced his work. 

LINE OF DUTY
Sunday 21st, BBC One


Jesus, Mary and Joseph! I still can’t decide what shocked me more: Ted’s incorrect spelling of ‘definitely’ seemingly confirming that he’s the powerful bent copper who’s been pulling the strings, or undercover cop Corbett (very special guest star Stephen Graham) getting offed by the OCG for being a rat. And we still have two episodes to go. What a show. What a grin-inducing fairground-ride.

JOHN LEE HOOKER: THE BOOGIE MAN
Friday 26th, BBC Four
One of the greatest bluesmen of the 20th century, Hooker was an idiosyncratic innovator with a raw, sensual, funky, hypnotic sound all of his own. He only needed one chord to create his volcanic boogie. This solid doc traced his journey from extreme poverty to living deity status, via warm contributions from family members and disciples such as Keith Richards and the lesser-spotted Van Morrison.

Sunday, 21 April 2019

TV Column: THE LOOMING TOWER + BACK TO LIFE


This article was originally published in The Courier on 20th April 2019.


NEXT WEEK’S TV

THE LOOMING TOWER
Friday, BBC Two, 9:30pm


Inspired by actual events, this taut US drama is set in the years just prior to the September 11th attacks. The CIA and the FBI were supposed to be working together to combat the rising threat of Osama Bin Laden and al-Qaeda. The Looming Tower contends that an absurd rivalry between their counterterrorism divisions resulted in vital information being withheld, information which could’ve prevented the largest ever terrorist attack on American soil. It begins with them struggling to cooperate while predicting Bin Laden’s next move. In the background, the American media remains preoccupied with the Clinton/Lewinsky scandal. A sense of impending doom pervades. The solid ensemble cast is led by Jeff Daniels as the FBI’s irascible counterterrorism chief.

MARK KERMODE’S SECRETS OF CINEMA
Monday, BBC Four, 9pm

It comes as no surprise to learn that the young Kermode watched The Towering Inferno three times in the same week in 1975. He’s been preparing for this typically persuasive essay, in which he examines the disaster movie genre, for most of his life. Although they reached their heyday in the 1970s, disaster movies have been around in various forms since the 1920s. Always at the cutting edge of effects technology, these spectaculars usually involve all-star casts facing off against fires, floods and earthquakes. Why do we love them? Kermode: “Disaster movies, like horror films, often work as modern morality tales, reminding us of the natural order of things by terrifying us with visions of chaos and apocalypse.”

YOUR HOME MADE PERFECT
Tuesday, BBC Two, 8pm

Kevin McCloud from Grand Designs would doubtless raise a wry eyebrow (a wrybrow) at this rather brash and flashy home improvement series in which moneyed young couples are given the luxury of choosing from computer-generated virtual interior designs. Call me old-fashioned, but I much prefer McCloud’s drily mocking, seen it all before approach over the smart-aleck hipster bravado of the YHMP team. The whole enterprise is far too pleased with itself. In this episode, James and Vicky enter the architect’s studio with a major problem on their hands: they can’t agree on how their spacious detached property should look. James fancies a modern open kitchen, but Vicky prefers a more traditional approach. My heart, it bleeds for them.

THE BLETCHLEY CIRCLE: SAN FRANCISCO
Friday, STV, 9pm


As this pulpy period espionage drama continues, a bloodied and battered young man collapses on the doorstep of Jean (Julie Graham) and Millie (Rachael Stirling). He’s looking for one of their English government associates, but why? And off goes the plot, its arteries thickening with every fizzy twist and turn. It involves heroin smuggled inside one of those new-fangled reefer cigarettes, Nietzsche-quoting beatniks, violently oppressed homosexuals and ancient Greek cipher techniques. The Bletchley Circle: San Francisco will never be mistaken for a prestigious drama – its dialogue and plotting are so amusingly ham-fisted, it makes Murder She Wrote look like Edge of Darkness – but it’s quite good fun if you’re willing to disengage your taste buds. Glossy drivel.

LAST WEEK’S TV

NINJA WARRIOR UK
Saturday 13th, STV

I can’t watch arena-based rumbles of Saturday night folderol such as this without thinking of Peter Cook as Sir Arthur Streeb-Greebling. The only television show the crumbling patrician ever watched was Gladiators as it gave him an idea “of what was going on out there.” Its only selling point is co-host Chris Kamara, a man both bewildered and thrilled by the mere idea of existing.

BACK TO LIFE
Monday 15th, BBC One


Over the last ten years, the excellent Daisy Haggard has become a familiar supporting fixture in several British TV comedies, but this droll black comedy, which she also created, is her first starring vehicle. She plays a middle-class woman struggling to rebuild her life after spending 18 years in prison on a murder charge. She seems normal, so what happened? It’s an intriguing show, low-key and quite unusual.

THE COMEDY YEARS
Friday 19th, ITV3


We’ve witnessed countless versions of this superficial yet harmless series before, but any clip show featuring segments on Cannon and Ball, Yootha Joyce, Only When I Laugh and the obscure Rowan Atkinson showcase Canned Laughter is always going to sit well with me. It began in 1979, the year Thatcher seized power, and served as a reminder that alternative comedy didn’t demolish the old guard overnight.

Tuesday, 16 April 2019

TV Column: GHOSTS + CHIMERICA


This article was originally published in The Courier on 13th April 2019.


THIS WEEK’S TV


GHOSTS
Monday, BBC One, 9:30pm

This promising new sitcom from the talented team behind Horrible Histories follows a surrogate family of ghosts who decide to embrace haunting for the first time in their afterlives. The object of their ire is a young woman (Charlotte Ritchie) who inherits their dilapidated mansion home and decides to turn it into a hotel. Prominent ghouls include a Neanderthal man, a witch trial victim, a romantic poet, a Tory MP who died without his trousers on and, inevitably, a 17th century gent who carries his severed head around with him. While obviously not suitable for very young children, apart from one rather dark twist it’s not self-consciously adult either. On the contrary, it’s a typically broad, silly, likeable affair. Why it’s being shown at this late hour, I have no idea.

TRUST ME
Tuesday, BBC One, 9pm


Series one of this medical thriller was an implausible load of old toot in which Jodie Whittaker played a nurse masquerading as a doctor in a fictional Edinburgh hospital. She’s since been cast as the Doctor, so it’s back to the drawing board with a completely new cast and premise. They needn’t have bothered as it still fails to convince on any level. When a paralysed soldier with PTSD finds himself trapped in the James Stewart Spinal Unit (a very kind donation from the late Hollywood legend), he begins to suspect that a spate of patient deaths have been caused deliberately. Is he paranoid? It doesn’t matter. Even John Hannah and Ashley Jensen can’t rescue this laughable, clumsily written chore.

EARTH FROM SPACE
Wednesday, BBC One, 9pm


Thousands of satellites are currently orbiting the Earth. Some of them capture images of the planet’s surface in such extraordinary detail, we can now chart the activities of individual animals. Blessed with suitably Godlike narration from actor Chiwetel Ejiofor, this lofty new series depicts “our home as we’ve never seen it before.” The devastating effects of climate change are exposed by following a herd of African elephants struggling through a vicious drought. Meanwhile, satellites uncover previously unknown colonies of penguins and reveal mysterious ice rings that could put seal pups in danger. The programme also makes some surprising discoveries in Earth’s most remote areas. It’s a beautifully made yet sombre study of a planet in severe trouble.

CHIMERICA
Wednesday, Channel 4, 9pm


Based on the Olivier Award-winning play by Lucy Kirkwood, this engrossing drama examines the predominance of China and America in modern geopolitics. A fictional story inspired by real events, it begins with a young American photojournalist covering the violent government response to the Tiananmen Square protests in 1989. He becomes one of the photographers who captured the iconic Tank Man image. 27 years later he’s sent back to Beijing to cover Presidential candidate Donald Trump’s controversial ties with China. While there he gleans tantalising new information about Tank Man, whose identity and subsequent whereabouts have never been proven. After being accused of faking a photograph, he becomes obsessed with finding the legendary unknown protester to restore his credibility.
  
LAST WEEK’S TV

THE WIDOW
Monday 8th and Tuesday 9th, STV


A solemnly ambitious thriller based in the Democratic Republic of the Congo? On ITV? Hats off to the House of Cowell for trying something different. Unfortunately, The Widow is a monumentally turgid misfire in which Kate Beckinsale is helplessly cast adrift in a sea of disjointed storytelling. It’s written by Harry and Jack Williams, whose work outside of The Missing and Baptiste never fails to disappoint.

Saturday, 6 April 2019

TV Column: THE VICTIM + LINE OF DUTY


This article was originally published in The Courier on 6th April 2019.


NEXT WEEK’S TV


THE VICTIM
Monday to Thursday, BBC One, 9pm

Port Glasgow and Edinburgh are the settings for this engrossing drama about Anna (Kelly Macdonald), a mother accused of plotting to kill a man by the name of Craig (James Harkness) who she believes is responsible for the murder of her son. After serving his time in prison, the young killer was given a new identity, a ‘luxury’ that Anna insists he doesn’t deserve. As for Craig, he appears to be an innocent family man. An intelligently written examination of victims’ rights and the rights of people accused of high-profile crimes, it boasts strong performances from Macdonald, Harkness and John Hannah as the policeman investigating Craig’s attack. Key line: “Public opinion doesn’t exist, it was invented by the media.”

A HOUSE THROUGH TIME
Monday, BBC Two, 9pm


Historian David Olusoga returns for another thorough excavation of the secrets buried within ordinary British houses. The subject in this series is a Georgian end-of-terrace property in Newcastle upon Tyne. Delving deep into the archives, our softly-spoken host – who was raised in the area where the house is located - studies the personal lives of its various residents “to uncover an epic story spanning 200 years”. What follows is a revealing alternative history of Britain told from within the same four walls. Its first resident was William Stoker, a privileged Victorian lawyer who eventually became Newcastle’s town coroner. Olusoga struggles to sympathise with Stoker as he charts a saga involving poverty, hypocrisy and appalling rough justice.

DON’T FORGET THE DRIVER
Tuesday, BBC Two, 10pm


Despite being billed as a black comedy, this new series is more of a drama peppered with mild attempts at downbeat humour. Toby Jones, who co-wrote it with experimental playwright Tim Crouch, plays a bored, lonely coach driver whose days consist of ferrying pensioners from the soporific seaside town of Bognor Regis to various destinations (Dunkirk in episode one). He’s also dealing with a disaffected teenage daughter, a mother with dementia and a twin brother (also Jones) living the high life in Australia. Meanwhile, an asylum seeker stows away on his coach and a body washes up on the beach. It certainly captures the bleak beauty of Bognor, but it’s neither funny nor dramatic enough to invite much enthusiasm.

ROCK ISLAND LINE: THE SONG THAT MADE BRITAIN ROCK
Friday, BBC Four, 9pm

Billy Bragg is such a devout socialist, he even looks like Jeremy Corbyn these days. It’s uncanny. In this sturdy documentary he explains how a 1930s railroad song originally written in Little Rock, Arkansas eventually became one of the most important recordings in the history of British pop music. Lonnie Donegan’s hit version from 1955 inspired a generation of post-war British teenagers. It’s no exaggeration to state that the Beatles, the Stones, the Kinks et al wouldn’t have picked up their guitars were it not for Rock Island Line and the DIY skiffle craze it ignited. Bragg, a huge fan of the late skiffle king, traces the song’s fascinating history with assistance from various music historians and Donegan’s son, Peter.
  
LAST WEEK’S TV


LINE OF DUTY
Sunday 31st, BBC One

When hit shows such as Line of Duty become known for incorporating certain signature elements, they risk a descent into self-parody. Based on the hard evidence of series five’s first episode, there’s life in this old feller yet. 

While scoring off your Line of Duty bingo card – compromised officers; initialism-heavy police jargon; itchy interrogation scenes; DCI Ted’s colourful exclamations; AC-12 gazing meaningfully at persons of interest as they enter or leave their headquarters – you presumably fell prey to a delightful piece of misdirection. 

We were introduced to a deep undercover agent embedded within a crime gang led by Stephen Graham, an actor known for playing villains. Nervous, secretive, she fitted the bill. However, it transpired that Graham is the undercover agent. What’s more, this time they didn’t kill off their famous guest star at the end of episode one. A wise move, as that once effective gimmick has worn out its welcome. 

Even after all these years, this addictively Byzantine and heroically bonkers thriller can still wrong-foot its audience. Here we go again.